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Worn Photoshop Brushes For High Resolution [Part I]

July 1st, 2005

I recently had a request for some worn, tattered, distressed Photoshop brushes for working with high resolution. Most of what I found and used in the past was created for Web design. A brush designed at 4oo pixels wide could be “stamped” on a 800 x 600 Web site and take up half of the distance across. When dealing with print, 400 pixels doesn’t go very far when you’re talking about a resolution of 300 dpi. That same brush would show up a bit larger than one inch wide when printed. Though the brush size can be adjusted up to 2500 pixels, if it wasn’t designed at that size it’s going to look quite poor when enlarged.

I’ve designed some brushes that sit right around the 1800 pixel range. That’s going to give you about a six inch brush size when dealing with the standard print resolution of 300 dpi.

If you have no idea what I’m talking about I’ve included an example. Once these brushes are loaded into the brush palate in Photoshop you can begin using them on your own images. Most commonly I select either the eraser tool or the paintbrush tool then I choose a brush. Simply line up the brush on your image and click the mouse once. You get instantaneous transformation. Experiment with layering and opacity settings to get desired effect.

Original Photo

Behold The Aftermath

Important Information

Adobe Photoshop CS, CS2 or higher on OSX or Windows. However, I have divided the brushes into layers to support Photoshop 7 and previous versions, so now everyone can enjoy.

Download Instructions

1. Download the brushes here (23.1 MB)
2. Select the paint brush in the Photoshop tools.
3. From the brushes palate choose “Load brushes…”
4. Navigate to your brand new brushes and happy times begin.

Layers

I’ve had a lot of requests for these brushes to be compatible with Photoshop 7 and previous versions. To save time, I’ve divided each design into a photoshop layer. You get one file with several designs, each on it’s own layer. If you’d like to convert these into brushes, it’s easy. Simply turn on one of the layers and go to edit>define brushes. After this, your brush will appear in the brushes palate.
1. Download the layers file here [Part I] (17 MB)

brushes layers
Brush Usage Rights
Please ask for permission for any use of this brush set and/or vector set that is not covered in the Terms Of Use. You may NOT use these brushes on designs for sale on stock photography sites!

iTunes 4.9 Released. Podcasts!

June 30th, 2005

In response to Corey’s praise of Apple. I must say, I agree.

Tuesday morning, Apple released iTunes 4.9 with Podcasting. If you haven’t heard, a Podcast is radio program you can take with you anywhere anytime on your iPod or on other digital media, such as CD. With shows ranging from professional to amateur, you pick out specific things you are interested in. Once subscribed to your favorite Podcasts, iTunes automatically syncs the current episodes with your iPod without any effort whatsoever.

Although these radio-type shows have been available for a while, Apple makes it nice and simple, bringing them into the mainstream. I’ve been listening non-stop, and I look forward to burning some CDs for my next long road trip.

Thanks Apple.

Graphic Design Trends, Forecasts, and Color Directions for 2006.

June 28th, 2005

It’s unquestionably your choice whether or not to pay attention to the color trend forecasts released by CMG (Color Marketing Group) and Pantone, Inc. I personally find them interesting, and at least worth reading. If I decide not to follow them, at least I’ll know what to rebel against.

Some information about fashion trends has been removed from the content below in an effort to focus more on color and graphic design. Much of it overlapped so I kept parts when I felt it was relevant.

Here’s what Pantone, Inc., has to say about color trends and forecasts for Fall/Winter 2005/06:

For next winter season, it’s all about mixing and developing interesting contrast. Think differently and use saturated colors as anchors, spicing them up with terrestrial darks, toning them down with muted neutrals and kicking them up with warm and cool contrasts. The key is to experiment with color to create different moods and attitudes.

The past comes alive once again in Europe as two distinctive looks emerge, retro-vintage and the deconstructed styling that is now being borrowed from the 1980’s designers from Belgium and Japan. For women, the idea of femininity is taking on a more realistic look, which now emphasizes pretty fabrics and styling, but not overly frilly or a look reminiscent of the Stepford Wives. For men, it was about remix by using dress-up elements for both the office and lay.

Les Colour

The overall range evokes a dynamic dialogue and synergy between both soft and audacious color. There are no longer specific ranges of color but rather a collection of shades that range from light and neutral to dark and saturated. For next winter season, it’s all about mixing and developing interesting contrast. Think differently and use saturated colors as anchors, spicing them up with terrestrial darks, toning them down with muted neutrals and kicking them up with warm and cool contrasts. The key is to experiment with color to create different moods and attitudes for clothing. Remember, it’s not just about one look and feel but rather a diverse mix of lifestyles.

Here’s what CMG has to say about 2006 Consumer color Directions:

Warm, Clear and Bright Colors Lead 2006 Forecast

Alexandria, VA, USA - Colors for 2006 will be warmer, clearer and brighter, according to the color designers at Color Marketing Group (www.colormarketing.org). Reddened oranges will replace coppery hues; yellows will gain importance; blues will dramatically recede; and complex neutrals will add sophistication and luxury to the 2006 Consumer Color Palette.

The color professionals at CMG identified these six key influences driving the 2006 Color Directions:

Techno-Organic Balance - Consumers want to find a balance in their lives between the influences of nature and the pace of technological advance. They order their lives and base purchase decisions on this new, somewhat surreal balance.

Breathing Space - Consumers want fulfilled and rewarding lives despite the demands of work and society. To this end, they seek serenity and calm in a space that is insulated from common daily stresses and emerging threats to safety, both in public and private.

Heritage with Heart - However clearly consumers remember the past, they sense a need to reconnect with it. Hope and optimism filter memories of past events, ensuring that this nostalgic journey is warm and comforting. The focus is on positive times; struggles are forgotten.

Hybrid - The synthesis of cultural norms pervades the environment. Society has evolved beyond fusion in foods, fashion and design. Now, hybrid households and communities are entering the mainstream. The move to Hybridization occurs in parallel with geopolitical and economic events and is a product t of the proliferation of global unification in communications, transportation, manufacturing and services. Although Hybridization is generally accepted by consumers, it offers a sharp contract to the comfort of the predictable past.

Über Luxury - As extravagance becomes accessible to the masses, there is a need to identify icons or symbols that convey a new level of status and sophistication. In response, icons of sophisticated craftsmanship and rare materials with high polish and burnished finishes will emerge. In fashion, Über Luxury takes on a classic feminine style that drives decision-making and brings power to women. In the home, Über Luxury is defined a masculine, clean simple and elegant.

Color Depth - Consumers seek bold colors and luminous materials that add glow and fluidity in product executions. Visually stimulating chromatic textures yield high—energy interest and excitement.

These six influences translate to 30 new 2006 Color Directions identified across six industries:

Action/Recreation

Chillin’ - Versatile accent from the carefree elements of nature allows all of us to Breathe. A warm clear blue for all sporting seasons.

Fresh - This coastal color brings vitality to active escape products.

Smiley - This interpretation of primary yellow complements action colors in all activities.

Sweet - Gender-bending pink asserts youth and power. This is a neo pink for all seasons as a main color event.

Toxic - This youthful interpretation of avocado creates a high energy addition and complements most base colors with cross gender application.

Consumer Goods

Diamante Silver - Consumer Goods turns to Technology for this new metallic with lighter and brighter attributes.

Ignorange - This Hybrid color modifies traditional orange based on Asian and Indian influences.

Night Sky - High chroma and low value in this violet to black magic color harken to our changing atmosphere.

Sona - With various golden hues and finishes connoting Luxury around the world, this color builds a consensus for all cultures.

Tech-Tile - This color revives bronze with warmth and femininity.

Home

Asian Rose - A multi-cultural Home color with both Heritage and Heart.

Bliss - This color emphasizes Über-Luxury and Heritage with Heart.

Decoesque - This color is a less abrasive interpretation of both green and blue. Based in nature, this color is cultivated by both Heritage and Hybrid influences.

Elemental Gray - Underscored by the popularity of fantasy, this dark neutral is mysterious and futuristic.

Flemish Gold - Luxury and Hybrid influences give birth to this new Home color for use across all markets.

Visual Communications

Electric Mud - Visual Communications is stuck on this deep rich brown based on the meeting of Technology and Nature.

Hottie - Summer is welcomed year round with this cool, high impact color. The embodiment of Color Depth, no one can miss what this color has to say!

Stealth - The serenity of Breathing Space is modulated by Technology influences.

Teal Zeal - A cross of blue and green, this calming color is based in nature and balance.

Yolk - This new color eggs on standards consensus for safety needs around the world.

Transportation

Burlesque - A Luxury color recognized by cultures around the world as a symbol of wealth as well as sexuality.

Georgian Bay - Transportation balances the blue and green of both Technology and Organics for a fresh clean color sparked by silver fleck.

Mission Mars - The NASA Mars mission brings this color to earth with youth and fashion.

Obi - Transportation brings this rich saturated brown to differentiate the Über Luxury world from growing mass extravagance. Heritage notes from rare dyes and aged woods help to elevate this color for the ultra wealthy.

Trumped - Transportation brings us metallic silver tinted with brown to create a neutral beige juxtaposing comfort and Technology, moving us into a simpler life.

Fashion

Cybernatural - Technology slows down based on Heritage with this new Fashion direction.

Lapis - Crowds will cheer for this favorite Fashion blue enhanced by Techno-effects for surprise and luminosity.

Orange You Glad! - This high-energy color with glow and power embodies Color Depth. This Fashion color offers movement and fluidity to drive consumers to say, “I need it!”

Phosphorice - Discreet Luxury and cyber technology based on chemistry, gadgets, and liquid crystal screens provide the platform to create this new Fashion color.

Re-Vamp - A return of classic elements with the illusion of depth and mystery. Techno-special effects translate this Fashion color from its Heritage base to today.

Color Marketing Group (CMG), founded in 1962 and based in Alexandria, Virginia, USA, is an international, not-for-profit Association of 1,300 Color Designers. Color Designers are professionals who enhance the function, salability and/or quality of a product through their knowledge and appropriate application of color. CMG members forecast Color Directions one to three years in advance for all industries, manufactured products and services. These Consumer/Residential and Contract/Commercial products include: Transportation, Visual Communications, Technology, Home, Consumer Goods, Juvenile Products, Fashion and Action/Recreation.

Design Competitions

June 23rd, 2005

Today I went on a quest to find some graphic design competitions to enter. So rather than write them all down, I’ve posted them for you to enjoy. Although a quick google and a bit of digging would get you to the same place, I hope you found these before you had to do that. The competitions are listed in order of approaching entry deadlines, and I intend to enter all of them 5 times. Feel free to add to the list.

Design ONE Condom
Help design the packaging for ONE brand condoms. If your design is selected you’ll win a cash prize and a year’s worth of your condom designs.
Deadline: June 30, 2005
Entry Fee: None

UPDATE 7/1/05 2005 Davey Awards
The Davey Awards is exclusively for smaller agencies, companies, or organizations with annual billings or revenues below certain levels. Work completed since January 1, 2004 is eligible for the 2005 Davey Awards.
Deadline: July 29, 2005
Entry Fee: start at $75

HOW Interactive Design Awards
Winners will be featured in the newly expanded April 2006 issue of HOW and one Best of Show winner will be our guest at the 2006 HOW Design Conference.
Deadline: August 1, 2005
Entry Fee: start at $75

American Design Awards Semi-Annual Design Contests
Open to all graphic and web designers worldwide, including design firms, corporate art departments, and advertising agencies.
Deadline: August 15, 2005
Entry Fee: start at $40

UPDATE 7/8/05 Shift 2006 Calendar Competition
The aim of the competition is to discover fresh creators and support them, Shift provides a platform to show works using a calendar as a medium.
Deadline: September 10, 2005 (9:00PM Japan Time)
Entry Fee: None

HOW International Design Awards
Winners will be featured in the newly expanded April 2006 issue of HOW and one Best of Show winner will be our guest at the 2006 HOW Design Conference.
Deadline: September 15, 2005
Entry Fee: start at $20

Print Digital Design Competition: Interaction 2006
Designers from around the world are invited to submit their most exciting interactive projects as well as print or TV ads promoting Web sites and e-commerce. Winners will be featured in Print’s Digital Design Annual to be published in October 2006.
Deadline: November 1, 2005
Entry Fee: start at $35

I.D. Annual Design Review
I.D. invites you to enter the 2006 Annual Design Review. Winners will be featured in the August 2006 issue of I.D
Deadline: December 1, 2005
Entry Fee: start at $100

Second Annual UniKeep Design Awards Contest (Monthly)
Create a cover for any size UniKeep View Case Binderâ„¢- students, professionals, hobbyists - any art you are willing to share
Deadline: Entries accepted through December 31, 2005
Entry Fee: None

Communication Arts Interactive Media
The most prestigious design competition for interactive media.
Deadline: Jan 13, 2006
Entry Fee: start at $100

I think a Return Policy Sign Will Suffice

June 15th, 2005


circuit

Originally uploaded by jgaylor.

Coming in at a whopping 20.625 inches, this Circuit City receipt for a 14 piece pack of Orbit peppermint chewing gum seems ridiculous. Even if I had purchased a CD or even a laptop, this is quite unnecessary. I’m going to make a guess that we could do better. In a time of recycling and environmental awareness we are handed this sliver of a tree that has to be folded approximately 4 times over to fit in an average size pocket. On this particular version, the Circuit City address, phone number, and time of purchase is printed twice. The logo appears three times. The Web site is mentioned six times. The return policy of six paragraphs is printed once on the front, and then repeated, on the back, in its entirety, three-and-a-half more times. Come on! Can we do better? Someone had to know something to get this store where it is today. I don’t recall any other retail establishment providing me with such an unecessarity.

I do appreciate the flavorful gum that I was able to purchase with a credit card since I didn’t find a one-eighth inch stereo cable for a decent price. Perhaps the prices could be reduced if they weren’t purchasing so much paper and ink for the registers. Oh, and thanks for the bag. It will be useful when I’m carrying my gum on my way to the recycling center.

Flickr

June 14th, 2005


andy

Originally uploaded by jgaylor.

I recently had some time to look at flickr.com. I’ve been meaning to for a while, and I’m glad I finally did. According to them, it’s, “…almost certainly the best online photo management and sharing application in the world…”

I’ve only been playing around with it for about 10 minutes, but I’m already using two of the great features: this blogging feature (which has allowed me to actually type right from the flickr site and have my post end up on my blog here at designfruit), and the ability to add mouse-over notes within the photo. These are just a few ways flickr is beginning to reinvent the way we view and organize our photo albums. Be sure to check the mouse-over notes by first clicking on the photo preview to the right. This will also take you to the flickr site so you to can sign up.

Articulate the Positive

June 13th, 2005

I have a weakness when trying to explain the process behind my designs. Although I’ve been blessed with creating a few good layouts now-and-then, I have yet to overcome articulating why a certain design solution is “great” vs. “average,” and why one particular solution is better than another. When a client asks something like “why did you decide to do this particular treatment here” it’s customary to respond with a solid, eloquent, diplomatic answer that immediately makes you the expert. It could even be something like “based on the information I have from [reference client notes here]: this is my solution. Were you thinking something else?” What’s important at this point is the ability to explain a well researched end-result by incorporating the facts and discoveries of why you chose this particular resolution.

There are many ways to improve this lack in ability, but for now I’ve chosen one. The solution for me is to blog—to practice. By transforming thought to written word about the processes and discoveries of client experiences, I will, over time, continue to gain knowledge and skills for speaking more precise answers. Aha, I made it to two.